Read theQR’s verdict on Birmingham Royal Ballet’s Swan Lake. Tchaikovsky’s score soars at Sadler's Wells, but does this ...

Scottish stand-up Connor Burns discusses his new UK tour FLOW, bypassing BBC panel shows, and translating massive digital virality into theatre sales.

Alice Mayer emerges as a serious theatrical talent in this pitch-black horror comedy, navigating dead ex-boyfriends and dark laughs with an enticing energy.

A towering achievement in traditional Gaelic storytelling. Alena Shmakova reviews The Ossian Cycle at Edinburgh's Netherbow Theatre, led by Donald Smith.

Over 150 leading stage designers have donated original works to the 2026 Stage Designers and Artists Auction for Gaza Babies, via the Gaza Formula Fund.

Review of Aderyn at the 2026 Scottish International Storytelling Festival. Discover the 'Bird and Beast' theme and opening night at the Storytelling Centre.

Three lighthouse keepers & a musician create a magical seaside world in this welcoming show. Built specially for audiences with complex needs.

Emma Rice’s Tristan & Yseult lands at the Royal Lyceum Edinburgh. An exhilarating revival of the folk-theatre classic with soaring music and heart.

Ahead of DeNada Dance Theatre’s Edward II, Carlos Pons Guerra reflects on teenage goth years, academic snobbery, and bringing high camp to the Renaissance.

Playwright Rona Munro and former National Theatre director Rufus Norris unite to conclude the James Plays. Discover the details of the 2027 Scottish tour.

In Caryl Churchill's twenty-minute play at the Almeida, a modern press secretary defends a Roman emperor. Yet the Trumpian parallel ultimately feels lacking.

With Alan Cumming unveiling more of his 2027 season, what will the future be for Pitlochry Festival Theatre once the Hollywood stardust inevitably fades away?